More of a news/source researcher rather than a journalist here, but found this post/topic and all the responses to be quite interesting and useful. Thanks for sharing, all. :-)
]]>My best advice: Say yes more than you say no: say yes when a reporter offers to take you out to lunch, say yes when the editor-who-isn’t-your-editor asks you to pick up an extra assignment, say yes to working the holiday shift during an internship, say yes to applying to jobs you never expected to get, say yes to a shift on the copy desk or a night cops shift, say yes to working with photographers or videographers.
Say no to working without being paid a liveable wage.
]]>First full-time job: Reporter/News Technologist at the St. Petersburg Times
Now: I work on servers, blogs and help build interactive apps for a chain of papers at The New York Times Regional Media Group.
Best advice: They won’t hire you if you have the same skills as everyone else. I differentiated myself by attempting to learn more about building online projects. That doesn’t mean “Hey I can shoot video and record audio.” Everyone has those skills. Not everyone knows how to set up a server, do SQL queries or code for a production environment. If you can prove to your bosses that you have skills that set you apart from the influx of cheap labor, they may employ you. You could also do what I did: Get another job offer halfway through your internship, which pushed the St. Pete Times to hire me.
Everyone can be taught to be a reporter. Everyone can be taught to be a better writer. But not everyone can be taught how to build truly web-oriented projects. Only you can teach yourself that, with some help from the journalism community, of course. And don’t be shy about thinking your skills are worth value. Basic economics: If you have skills that not many have, and people are looking for those skills, your value goes up. So, make your value go up.
]]>Some years later, out of J-school, I came back to The Frontiersman, under new management. At the time I was very disappointed in the assignments I was getting, because I got stuck with the Beauty Pageant beat for every podunk town and hamlet in the Valley (including you-know-who as a flute-playing competitor).
I couldn’t take the coming darkness of winter and the isolation of Alaska, after so many years in the light, so I took off for parts South, where I happened to land photojournalism jobs at various publications and newspapers in Northwest Arkansas. I often found myself shooting events with state notables, including the genial governor and his very ambitious and activist wife…
In the end, I had to leave there too, because Reagan deregulated media ownership rules and venerable newspapers all around me were merging or shutting down, laying off my colleagues by the thousands.
Center-spread double-truck photo essays and feature stories, my stock in trade, disappeared overnight with the cookie-cutter layouts and short stories of the USAToday template-driven approach to newspapering. I saw my best work being reduced from the size of dinner plates in the Daily Fishwrap to the size of postage stamps.
Plus, nothing would ever happen in podunk Alaska or Arkansas. Why would anyone want to stay there? ;-)
]]>And in addition, newbies should go outside of the newsroom for professional development. I’ve learned so much from my involvement with organizations like AAJA and SPJ and through online venues such as #wjchat (an online journalism Twitter chat). With all that’s out there, I think one would be hard pressed to not grow wherever they’re at.
]]>