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Moderated by Robert Hernandez (Digital Professor/Founder, USC Annenberg/JOVRNALISM)
Watch the video here:
Link: https://www.gdcvault.com/play/1026567/Augmenting-Journalism-by-Hijacking-a
Diversity and inclusion is a challenge that often feels like an overwhelming problem that we, as individuals, don’t seem to have the influence or resources to tackle.
We commonly say “I’m not hiring” or “I don’t have money to make an impact” and all these may be true.
But, as SXSW opens PanelPicker, CES calls for speakers, and conferences like NAHJ18 and ONA18 are quickly approaching, I wanted to share some practical things YOU can do to make a difference.
I have done each of these – multiple times for years. I have no money. I have a kid to fund. I am not hiring anyone. But these simple ways can have large impact.
If you truly care about inclusion and diversity in our industry – or any other industry – try a few of these tips to help make a real impact.
Please let me know if you have other tips and if you have done these too. We have more influence than we think.
]]>This piece was written for SPJ’s magazine, Quill. You can read it here: http://www.spj.org/quill_issue.asp?ref=2245
One of the first workshops I gave as a new professor was to introduce journalists to a few tools and applications I found on the web that they could use when producing a multimedia story.
Six and a half years later, that small workshop has morphed into a side project that has a collection of more than 100 types of tech and tools to help journalists be more digital.
The collection can be overwhelming.
But, as journalists adapting and working in his quick-moving digital era, we need to add some of these seemingly countless tools to our journalism toolbox.
As we launch head first into 2016 and beyond, here are some tech, tools and apps every journalist should be aware of. This is just a small selection from the growing list of apps. Make sure you share your recommendations, too. (Ping me on Twitter: @webjournalist.)
NOTE: As we know, technology moves fast. By the time this piece gets published, there may be a new thingy that we need to add, or an old thingy that needs to be removed. The real goal here is to be aware of the diverse tools and be open to how we can each integrate many of them into our daily journalism.
Let’s start with the basic set of mobile apps all journalists should have on their smartphones. I am talking about the pillars of journalism: writing, photography, audio and video.
Read the list here: http://www.spj.org/quill_issue.asp?ref=2245
]]>Role up your sleeves, journo industry, because you need to start preparing to lead the next disruption. When it actually hits is nearly irrelevant, because there’s no doubt it will hit.”
You can read the piece here: http://www.niemanlab.org/2015/12/the-year-virtual-reality-becomes-reality/
]]>I watched NYT/VRSE’s VR mini documentary called The Displaced, through the newly launched NYT VR app and it is clearly a sign of things to come.
Here are some thoughts after I watched the piece.
First, like other VR apps, the app itself took seconds to download, but the actual VR content took more time. The Displaced was 329MBs and took a few minutes to download. How long? I don’t know, I set it to download and worked on other things.
Whether we like it or not, this is the current state of VR… streaming is still clunky, but, of course, it’s just a matter of time before the tech catches up.
Now the piece itself.
It was gorgeous.
There are some truly beautiful shots they got and could only capture through a 360 rig.
They displayed creativity by having diverse shots, ranging from static with a tripod to mounted on a bike to handheld by a kid run after another.
The stitching, which is one of the major challenges in video VR, was pretty impressive and, based on the shadows the rig left, this was captured and stitched through something more advanced that the “simple” 6-camera, GoPro rig. Perhaps a Jaunt VR or Nokia’s Ozo setup.The audio was the “voice of god” style and was not 360, but it was still powerful to hear the children in their our voices and languages, telling their own stories.
Due to the languages, the piece relied on subtitles.
And, while they cleverly placed the subtitles around three locations, the text was still hard to read, at least via Google Cardboard.
Bonus: You can watch this piece holding your phone vertically and but’s a great experience. (Whether you like it or not, vertical video is winning!)
Now, the bad news.
Outside of the high-level understanding of the story – three displaced kids – I don’t know what they really said. I couldn’t quote it back to you.
This is one of those it’s-beautiful-like-Snow-Fall-but-I-don’t-remember-the-actual-story situation, which VR is going to face as it starts out.
Most VR offers the flash of new and cool through tech rather than substance of story, but this piece really tried to deliver the story. It has incredible shots and visually takes advantage of each 360 degree.
But it’s not a powerful piece like, say, Perspectives I: The Party.
The real test is whether or not people download the next set of stories and continue to use the app – with or without Cardboard. That’s a high bar that content I can’t remember may not make it over. It’s a high bar that we all have to overcome if we want this to truly take off.
I am excited for what’s to come and – from I hear through the VR community – you should be too.
I spy the production crew (the only show you really see them).
]]>It’s great to see the rush of people coming to explore the emerging tech of virtual reality. Yes, it appears the overly-hyped promise that under delivered for several decades has finally become a legitimate reality.
All thanks to a former journalism student turned billionaire and this smart lady.
I’ve been exploring different forms of VR dating back to my college days when I was fascinated by Apple QuickTime VT Studio, but I am no pioneer. I have been more into Augmented Reality (I still think it is the most promising future) since I became a professor at USC Annenberg some six years ago.
But after attending a local VR conference about a year ago, I knew this was going to be huge.
So, I created a course with the aim of exploring what the hell VR experiences could be in journalism.
Read more here: https://medium.com/@webjournalist/you-don-t-need-to-be-the-nytimes-to-do-vr-be4efb00ff74
]]>I had been invited to speak at a different newspaper publishers association in the past.
It didn’t work out. (I got uninvited when I told them my topic.)
But NENPA was committed and even wrote a piece on what I was going to say in my talk.
This talk, for me, was years in the making… one that I imagined giving when I was in the newsroom and one I wanted to give if I have a newsroom leader asking for advice.
Here, for those interested, is my talk*:
[ Hour and 15 minutes ]
Direct link: http://youtu.be/Hc6ZwLKDLP4
* Sadly, the projector changed the color of the slides… it’s not perfect, but it’s the content that matters, right? Right??
For those not interested in watching the entire video, here’s an animated GIF of the nutgraph from my talk:
]]>After Alves explained his vision in planning the panel around the book, I went to the library and checked out both the hardcover and book on (cassette) tape.
For my intro talk, I wanted to summarize and try to explain Gilder’s book and, inspired by its predictions (and the 80s), I decided to add my own grand prediction.
Here are the slides, in animated GIF form, with some text to explain my thoughts.
NOTE: Gilder is known to have said some controversial things about women, people of color and more. While I vehemently disagree with his statements, let’s focus on the book, which was quite impressive.
// Slide 01
The book, which was published in 1990, has many innovative ideas… the first being that it contained advertising for FedEx every five or six pages.
// Slide 02
The short book had a collection of fantastic lines that I wanted to quote. Here is a small a collection. What is impressive is that he essentially describes today’s major players of the Web. He was, however, a bit off with the type of quality, educational and informative content he hoped would be created.
// Slide 03
Perhaps it was the timing of Harold Ramis’ death, perhaps it is that I am overly influenced by the 80s, but the book reminded me of the infamous scene in Ghostbusters where Egon (Ramis) declares “print is dead.” (But it appears that print outlived Egon. How nerds react to that joke.)
I took Gilder’s book as an Egon-esque declaration television is dead. So, I was inspired to make a bold – and clearly early – declaration too.
// Slide 04
Mobile is dead!!! And by that, I really mean, mobile phones… the devices we carry in our purses or back pockets. Wearables – which have been around since the 80s thanks to the work by Steven Mann – have finally begun to mature. It’s not about white guys wearing glass… or brown guys, despite the coverage.
The future is… STOP! It’s not the device.
// Slide 05
If you believe that content is still king, then it’s not about the device. It’s about the content that we optimize on that device. (Please don’t say the ‘medium is the message,’ because I believe that is wrong.)
// Slide 06
So, if it’s not mobile… and it’s content… what the hell am I talking about? One type of technology that I do believe will play a role in the (not-so-distant) future is augmented reality.
This tech we’ve seen in Sci-Fi is real. Re+public labs have used it to augment art/murals in public spaces, with this example in Austin during SXSW. (Learn more here: http://www.republiclab.com/projects)
And my students and I have produced AR Storytelling + Journalism, by augmenting the downtown Los Angeles Public Library. (Learn more here: http://arjournalism.tumblr.com and watch the video)
We live in the future. So, journalism better adapt.
P.S. I’m trolling here… kinda. I do believe mobile PHONES will die sooner than we think and replaced by what’s next, like wearables. It’s inevitable. This “declaration” was made in line with the hyperbole from Gilder and “Egon.”
]]>[Blank] is the future of journalism is bar game for jaded journalists, created by Kim Bui, David Cohn, Maite Fernandez, Robert Hernandez and Matt Thompson at a DC bar in January 2014.
The premise is that you have two minutes to become a pundit and seriously preach/defend/sell the randomized concept, or [blank], to your jaded friends.
Go play and send us feedback: http://blankisthefutureofjournalism.com/
]]>